Shooting “flat”

Chances are, if you are shooting on DSLR cameras, that someone once told you to film with a “flat picture style”. My first time experience with this, I asked what it was, and the reason given was that it gives you a flatter image to work with in post production. It would be easier to colour grade and tweak the footage to look the way I wanted it to.

There are different ways of achieving the flat picture profile. You can download profiles like CINESTYLE picture profile for your Canon Camera, or make your own picture profile with the settings at: Sharpness 0, Contrast -4, Saturation -2, Colour Tone 0.

I won’t go into details on all of the specs etc, as there are tons of tutorials and articles out there for you to have a look at (This article covers it) when it comes to grading and so on. But one thing I want to talk about is an aspect that I feel has been left out a bit: “Sharpness”.

One of the things that threw me off for a long time with my Canon 550D was that the image looked out of focus or really low bitrate and quality when shooting on wider lenses. Yes, the 550D is a low budget camera, so I can’t compare it to the sharpness and video quality of an amazing high end camera like RED. But when everyone told me to shoot with a “flat” picture profile, I understood the colour grade aspect, but couldn’t get my head around the sharpness being turned all the way down. Why would I turn down the sharpness if it just made my images look out of focus or just murky?

One thing I realised was that the lens has a big part to play (obvious, I know), and the way I would expose the image (less light means that the camera would capture less detail. Again, obvious…) but it didn’t solve all my problems. So I started to research. When asking around, a lot of people directed me to just sharpen the footage in post, with the effect called “Sharpen”. But the results just didn’t feel right. So after a bit of research, I discovered “Unsharp Mask”. This was the tool I had been looking for. It added back that sharpness, and made the image look more “professional”.

The reason I am writing this is that I found this video (see below) explaining how to sharpen, and even though I knew about it already, I found it super helpful and informative on how to make the images you shoot on your DSLRs look better. (Side note: As the guy in the video says, sharpening in post is NOT a way to cover up the fact that the shot was out of focus. Nail your focus. Every time. Always. Enough said.)

What do you think? Do you have any experience with sharpening in post? Or maybe you have some other tricks you want to share? Let me know in the comments!

– Morten

Locked – Short – BTS

Locked from Morten Furre on Vimeo.

I really had a great time working on this short film. The idea came out of one of my house mates locking his key in his car. As any good film maker, I took advantage of the hilarious situation and made it into a short film. It worked out well, because my final assignment of the year was to shoot a scene that had most focus on the dialogue. This also gave me an opportunity to practice writing dialogue in general, and shoot in a way that told the story the best way possible.

One of the great things that I learned in the process was that having good actors is key. Both of my actors, Abby and Stennar, did an amazing job of rolling with the script, taking directions where needed and bringing the crucial natural aspect into the short. Their performance ended up being golden, leaving me with an easy job for the edit.

The other thing I learned and put a lot of thought into was the lighting and time of day I choose to shoot. I didn’t want to have any extra lights or even reflectors, but only go with what I had available. So I chose to shoot in the afternoon, and also in the shade, getting that nice and soft light.

To get into the technical side of things, I always like to challenge myself to use mostly the gear that I own myself. The whole short is shot on my beloved Canon 550D, using two prime lenses: Canon 50mm f1.4 (which I own) and a Canon 28mm f1.8 (which I borrowed from my friend Catrina, who also was my ‘soundie’). I have to say, I loved using the 28mm. On the 550, it really gave me that nice wide shot, the important two-shot of my actors and it still had the nice depth of field and quality to it. I used the 50mm on the Over-The-Shoulder shots, and close ups, which ended up looking really nice.

It’s funny, because for a long time I really didn’t like to use my 550d. I really wanted a new camera because I felt that the images I got from it was just horrible. But after learning to work around it’s weaknesses, and adding some sharpness/colour grading in post, I am getting more and more satisfied with the result that it produces.

Editing was a really fun experience as well. I tried to work even harder on timing the music and using it to back up the story and situation as it was unfolding. It didn’t get to advanced, but I just made some simple choices of having it start and stop at certain times. I also used DaVinci for the first time for colour grading. I’d been playing around with it before, but this time I actually did the whole correction and the grade in it. I really like DaVinci. As of now, it’s probably the best colour grading program out there for free, and the possibilities it gives is just amazing. The only thing that is annoying is the workflow from it to Premiere. But it’s easy enough to learn, so I would highly recommend it!

Well, that’s all I have to say. If you have any questions or comments on the film, please let me know! Would love to hear some feedback and thoughts on it.

– Morten

A mountain, two Norwegians and a camera

It was a beautiful day in the beginning of January. The snow had settled like a white blanket covering the earth. I grabbed my camera and a shoulder rig before heading to the pickup spot. The blue VolksWagen shot over the bridge in high-speed and the breaks squeaked a little bit before the car stopped in front of me. I put my gear in the back and hopped into the front seat next to my friend Benjamin.

Let the adventure begin.

I think we all have some friends that we just know we are going to do fun stuff with for the rest of our lives. Benjamin is one of those friends for me. We’ve been making films, playing music and designing websites together for a solid amount of years. Back in January, we decided to go on an adventure and just film something. Everything was really spontaneous. We knew we were going to film something that would fit Benjamin’s music, and we knew we wanted to go to a mountain. From there, we just drove through the country side of Norway and stopped along the road when we saw something cool.

One of the things I learned with this project is how key lighting is. We shot this during a whole day, but the light in Norway at the time is almost a full day of “the golden hour” (which is a time of day where the light is really colourful and soft), which usually just appears one hour after sunrise and one hour before sunset.

The second I learned was this: location, location, location! How much do we really want to sacrifice to get the best location possible? We could have settled for something less, but deciding to climb the mountain and getting to the amazing view. It really paid off!

I’ve discovered this about myself, that I need a reason to film. I’m not the kind of person who enjoy to just capture nature and random things that pop up. It needs people in there, because with people, you suddenly have a story. It can be as simple as getting from point A to point B, but it makes the video way more interesting.

Anyways, have a look at the video and let me know what you think! Anything you like or dislike? Or maybe you agree or disagree with something I wrote? Would love to hear back from you!

One last thing! If you want to hear more from Honestly, please check them out on their websiteYouTube or Spotify!

Enjoy!

– M

Smoke Lay Low – Honestly from Morten Furre on Vimeo.